More-than-human humanities research group!

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Invitation: the Create/Feminisms cluster in the Arts and Creative Industries Faculty

The Create/Feminisms cluster in the Arts and Creative Industries Faculty
invite all staff and students to log in, listen and take an active part
in the following 4 externally facing ONLINE research seminars
on De-/Post-/Anti-colonial Feminisms in Fine Art and Textile Crafts.  

We hope you will cascade this invitation to anyone else as these events focused in theories of contemporary art and textile crafts are open to all.
Registration is required to receive Zoom links to join the seminars.

Registration Link for any of the 4 events:

These events have been organised by Professor Katy Deepwell, Dr. Neelam Raina and Neda Mohamadi.
The events are supported by ACI’s research funds.
Each seminar will have a keynote, a panel of 2-3 papers and an open poster session.

1) Decolonising Craft (Tuesday, June 14) 2-6pm

Keynote Speaker: Aarti Kawlra

Panellists: Fatima Hussain, Neelam Raina

2) Feminist Pedagogies: learning to unlearn and decolonial toolkits (Tuesday June 21) 2-6pm

Keynote Speaker: Dalida Maria Benfield

Panellists: Sharlene Khan, Michele Williams Gamaker, Isabelle Massu

3) De-/Anti-/Post-colonial Futures in Feminism (Tuesday June 28) 2-6pm

Keynote Speaker: Francoise Verges

Panellists: Renee Mussai, Sahra Taylor, Antonia Majaca

4) Feminist De-/Anti-/Post-colonial Aesthetics (Tuesday July 5) 2-6pm

Keynote Speaker: Madina Tlostanova

Panellists: Shanna Ketchum Heap O’Birds, Ayanna Dozier, Leslie C. Sotomayor.

These seminars have been organised with the belief that feminism needs to represent its own pluri-versality as it continues to redefine local/global politics through its alliances and maintain its allegiances to diverse ways of thinking and making. De-/Anti-/Post-Colonial thought contains many different tactics, approaches and spheres of influence in visual arts and textile crafts. Feminist work in de-/anti-/post-colonial thought has pursued a long-standing critique of the blindspots on gender in configurations of modernity/coloniality; in postcolonial and critical race theory scholarship; in black feminist and anti-racist, anti-homophobic thought; and is evident in black, third-world, global majority, post-Soviet as well as indigenous histories and movements. These complex interventions redefine feminist intersectionality and queer theory away from their configurations solely in nation-states, area studies or world systems theories, searching for other ways to re-imagine global connections, histories and cultural developments, as well as systems of belonging or referencing, to envisage new forms of planetary visions of space and time, past and present. It is in this spirit of acknowledging and making visible the range of this work that we have organised these seminars.

Katy Deepwell

Professor of Contemporary Art, Theory and Criticism

Middlesex University
Hendon Campus

Archipelagic Rehearsals: Tema Genus Higher Seminar with Katja Aglert, 25 May 2022, 13:15-15:00!

Join us on 25th May 2022 for this one of a kind event: Tema Genus Higher Seminar with independent artist and professor of art Katja Aglert, focused on “Archipelagic Rehearsals: Abstract as Score”!

When: 25th May 2022, 13:15-15:00

Where: Room TEMCAS, Tema building, Campus Valla, Linköping University, SE. (see the map)

Archipelagic Rehearsals – Abstract as Score
A lecture performance by Katja Aglert

This paper, in the form of a lecture performance, unfolds from my ongoing transdisciplinary artistic research around multispecies encounters, with a focus on humans and Spanish slugs. These relations and stories highlight issues of migration, biodiversity, coexistence, and the interconnectivity of things. Today, the Spanish slug Arion vulgaris – in Sweden named “the killer slug” – is perceived as an invasive species, and is at the centre of a Western narrative, reifying the binary categorisations, such as nature-city, wildlife-pest. Can artistic processual practice, participatory research, and storytelling with slugs challenge the binary world view with humans at the centre, and perform new imaginaries of ”the world” as ”we”
know it? Building on concepts such as archipelagic thinking (Glissant), and more-than-human participatory research (Bastian, Jones, Moore and Roe), I seek to artistically discuss and perform responses to the principal question of how we can still use language and simultaneously avoid the confirmation of the order we attempt to question (Aglert). The lecture performance is a participatory, live editorial, an open-ended, multi-disciplinary experiment that explores the possibilities to renegotiate and destabilise the common conditions for an academic presentation. The lecture performance is a method that unsettles fixed meanings and allows for new interconnections between the arts and academia. Furthermore, it can
create new knowledge, stories and artistic materialisations related to more-than-human storytelling. As such, choosing the hybrid format of a lecture performance amounts to an experiment that explores the possibility of materially aligning the trajectory of choices with the research topic.


Katja Aglert is an independent artist, and professor, Tema Genus, Linköping University. Web:

Reclaiming Futures – Storying Change Festival: a brief visual report

Reclaiming Futures: Storying Change is a FORMAS research project that explores new forms of scientific communication and telling stories about the environment through the joint work of high school students, artists, curators and researchers.  

Reclaiming Futures is a modus operandi, a way to take back the futures from the past settings still shaping the world to come. In particular, Reclaiming Futures is a way to empower young people’s position in the public debate on environmentalism and climate governance. The climate is an issue for more than technocrats, experts, politicians and academics – it is for everybody.

In Reclaiming Futures youngsters and researchers, teachers, film makers, artists, curators and science journalists participate with their special insights into climate- and research communication. During 2021 and 2022 the teenagers and researchers convened for workshops and conversations on today´s climate and environmental situation. The youngsters were trained in efficient cultural communication and taught how to formulate their own stories by images and film making, later to take form in a number of short films and stories of their own making.

Reclaiming Futures is a joint effort of partners: Konsthallen Färgfabriken, The Posthumanities Hub, Kajman Media and KW Produktion. It has been generously supported by FORMAS.

On 2nd April 2022 the project hosted its big event: Reclaiming Futures – Storying Change Science/Environmental Humanities/Anthropocene Festival, which took place at the art centre Färgfabriken (Stockholm), where teenagers and researchers engaged in conversations on climate change, environmental issues and our relationship to ecology. There, young people-turned-filmmakers and artists showed their work dealing with these key issues.

The festival programme was curated and produced by the teenagers themselves! Below we show off a couple of snapshots from this amazing event!

ANIMA MUNDI – requiem for a vanishing

Invitation, dears.

ANIMA MUNDI is a 4-channel video installation and performance by gustaf broms BENHUSET (The Bone House), Stockholm March 11–27, 2022 12:00–20:00 daily. 

“Being in a time and place, where identification with the thin membrane of skin, as container of self, is slowly dissolving, as borders between beings evaporate, the environment disintegrates into a myriad of sentient beings.” ~gustaf broms  

The project ANIMA MUNDI grew out of a series of actions in the forest in Vendel, Sweden. These meetings of organic bodies create a dialogue between species that weaves a story without words. These filmed interactions become the material for a 4-channel video in a room somewhere between installation, sound, performance and video, in which the artist makes an 18-day action as a dialogue with moving image.   The working title ANIMA MUNDI usually translates as ‘world soul.’ In Timaeus, Plato wrote “Therefore, we may consequently state that: this world is indeed a living being endowed with a soul and intelligence……a single visible living entity containing all other living entities, which by their nature are all related.”

Collective Agenda: ART FOR NONHUMANS 15 November, 2021, 14-17:30 hrs

The seminar Art For Nonhumans is the first part of a 1:1 scale live simulation organised by the postmaster course Collective Practices and Statens Konstråd, the Swedish Public Art Agency.


Art Labor (Thao Nguyen Phan, Truong Cong Tung & Arlette Quynh-Anh Tran), Learning with the more-than-human research group (Alen Ksoll and Sina Ribak), Irene Snarby, Statens Konstråd (Annika Enqvist and Edi Muka), Cecilia Åsberg (The Posthumanities Hub).


Nada Ali, Antonine Scali and Sara Szostak

Facilitated by Grégory Castéra, Royal Institute of Art and organised in collaboration with Council and supported by Statens Konstråd.

2025: Following a resolution taken by the Swedish Government after the publication of the IPCC (Intergovernmental Panel on Climate Change) report in 2022, Statens Konstråd makes a radical shift by creating a new program of public outreach called Art for Nonhumans. A significant part of their budget will be dedicated to nonhuman audiences – animals, plants, ghosts, artificial intelligence, and so on. From December 2021 to June 2022, students of the postmaster Collective Practices and members of Statens Konstråd will conceive and launch a ‘real’ open call for a fictional new program titled Art for Nonhumans with the aim to receive proposals from individuals and institutions active in the culture field. Results will be shared in June 2022 as part of the final presentation of the postmaster course Collective Practices.

The Art For Nonhumans seminar engages with current debates on the boundaries between humans and other living and artificial kingdoms and their consequences in art practice and cultural policies. If emotions, intelligence, sociality and even consciousness have been identified as nonhuman capacities, how does it change the general understanding of the ‘public’? Is art specifically human?

On the contrary, if all art involves relations with nonhumans, why is art still framed as a specifically human experience? Can humans make art for nonhumans? How to consider a possible nonhuman approach of art beyond anthropocentrism? How do animist and indigenous perspectives transform the common separation between human and nonhuman? If language is a limited form of communication with nonhumans, to what extent can art help them to connect through sensing? And if most living entities are partly human, partly nonhuman, why don’t we seriously consider including nonhumans in the arts?


Trying anew in a time of flux

Lecture by Annika Enqvist and Edi Muka

The lecture will introduce a shift of institutional perspective by presenting a short background history of the Public Art Agency Sweden, as well as a number of case-specific projects that highlight new methodologies of working in public space. Living through a time of flux, with history being rewritten and the threat of climate change pending above our heads, the institution needs to constantly rethink its position by engaging with artistic propositions that take up the challenges we face.

Annika Enqvist is Program Manager and Coordinator of Research and Training at Public Art Agency Sweden. She develops a broad array of seminars, research collaborations and projects, both connected to specific art projects of Public Art Agency Sweden, as well as self-initiated.

Edi Muka is curator of temporary projects, focusing on both, social issues and context, and development of artistic methods and expressions.

Learning with the more-than-human: Narrative Potential of Matter

Lecture by Alen Ksoll and Sina Ribak

Paying attention to life (plant, animal, fungal, bacterial) at different scales and drawing on the entanglement of matter and meaning (Karen Barad) the presentation rethinks human-matter relations through storytelling inviting the production of new narratives and considering storytelling as a lens to consider agency as something performed and enacted through interactions. Learning with the more-than-human research group has been developped in the frame of the postmaster course Collective Practice (2020-2021).

Researcher in ecologies & the arts Sina Ribak, explores issues such as bioeconomy, land use, soil, biodiversity, and solidarity from a critical more-than-human and naturecultures perspective.

Educator, curator and researcher Alen Ksoll works with transformative pedagogies, speculative fiction, queer futures, and political ecologies creating pedagogical strategies that experiment with models of being together otherwise.

More-than-human arts, more-than-human feminisms, and the sea changes ahead

Lecture by Cecilia Åsberg

Providing only partial answers, the lecture engages with more-than-human arts as an effort that reworks the role of the humanities and artistic practice in their relationship to science and technology, to (post-natural) ecologies and other species, and to contemporary society and its challenges of sustainability, justice and technological advancement, offering in the second part a creative, curious, critical and collaborative approach to the nonhuman forces and futures of the ocean.

Cecilia Åsberg, Prof. Dr. Chair of Gender, Nature, Culture at Linköping University. The first PhD in Gender Studies in Sweden (2005); Founder and Director of The Posthumanities Hub since 2008; Fellow of the Rachel Carson Centre at Ludvig Maximilian University in Munich and the Royal Swedish Colloquia. Founding Director of The Seed Box.

The Holy Drum Hammer by Iver Jåks

Lecture by Irene Snarby

Discussing the 7,5 meter wooden hammer sculpture by Sámi artist Iver Jåks, commissioned by the Sámi High School in Karasjok, and placed in the nearby forest where erosion was an active part of the artwork, slowly returning it back to the earth, the lecture connects the artist’s references to ancient Sámi thinking (including spirituality and the circular notion of time), Sámi handicraft (duodji), but also to the experimental art history of the 20th century.

Irene Snarby is a curator, lecturer, writer and researcher in Art History at UiT The Arctic University of Norway. She has researched the field of indigenous and Sámi art since the early 1990, working as curator at the Sámi Museum in Kárášjohka, editor for several publications, and writing essays and giving lectures on Sámi art.

JUA – Sound in the Soundscape

Lecture by Art Labor

Art Labor will present the project ’JUA – Wind & Water Sound’, through its context, inspiration, and collaborative agents. JUA is a continuation of Jrai Dew in the Central Highlands of Vietnam, a journey in which we form a connection with our Jrai neighbors through the traditional wood carving collaboration. From the Jrai cosmology of the interminable movement between water and air, JUA extends it allegorically to the constant transformation of the ecology and society of the Central Highlands. We view the soundscape upon the entire territory as a platform for human and non-human agents to explore, challenge each other and create hybrid resonance.

Art Labor (Thao Nguyen Phan, Truong Cong Tung & Arlette Quynh-Anh Tran) is an artist collective based in Ho Chi Minh City, who work in between visual arts, social and life sciences in various public contexts and locales, producing several-year-long journeys rather than single artwork. Their previous journeys include Unconditional Belief (2012-2015), Jrai Dew (2016-ongoing) and JUA (2019-ongoing).

The seminar is moderated by students of the postmaster Collective Practices:

Nada Ali is a Syrian-born visual artist based in Stockholm. Her work is composed of a wide range of materials and media. She holds a Master´s degree from the Royal Academy of Arts in Stockholm, 2021. Previously she held a Bachelor´s degree in Fine Arts specializing in Mural Painting from the University of Damascus in Syria.

Antonine Scali Ringwald is a French independent editor and curator. With degrees in art history and sociology, she attended the Sorbonne and the École des hautes études en sciences sociales in Paris. In 2018, she founded Klima magazine, for which she oversees the editorial content and with which she organizes exhibitions.

Sara Szostaks an art practitioner, researcher, producer, based in Warsaw, Poland. She comes from an academic background in art history, law and computer programming. In her practice she is working within broadly understood AI and coding on notions of speculation and imagined reality scenarios. She is also interested in the ideas of open source and open collaboration practices and applying them in artistic context.

The seminar is facilitated by Grégory Castéra, Professor of the Collective Practices Post-Master course at the Royal Institute of art. He is the co-founder and director of Council, Paris, and co-editor of the T.A.N.J. (The Against Nature Journal). He has also served as coordinator of the Bétonsalon in Paris, co-director of Les Laboratoires d’Aubervilliers, and a member of the Encyclopedia of Spoken Words.

Zoom link for the ART FOR NONHUMAN event:

Next in the series Collective Agenda

15 December: Protocols of Co-living, a seminar with Calling Cards, Taraneh Fazeli, Piergiorgio Pepe and students from the postmaster course Collective Practices.

14 January: Cooperation and circular economy, a conversation between Luigi Coppola and Caroline Woolard

About Collective Agenda

Collective Agenda is the public program of the Collective Practices Post-Master, a course at the intersection of collective practices and ecological thinking facilitated by Grégory Castéra assisted by Hanna Husberg at the Royal Institute of Arts, Stockholm, in collaboration with Council.

Since 2019, Collective Agenda hosted talks and workshop by: The 5th Season, David Abram, Alice Chauchat, Valentina Desideri, Johanna Hedva, Raqs Media Collective, Cassie Thornton, Woodbine and David Zilber.

In 2020-2021, Collective Practice participants are Nada Ali, Denise Araouzou, Salomé Burstein, Nicola Chemotti, Alicja Czyczel, Stella d’Ailly, Daniela Fernández Rodríguez, Tal Gilad, Alexey Layfurov, Lara Molina, Evdokia Noula, Julie Robiolle, Antonine Scali Ringwald, Nat Skoczylas, Sara Szostaks, Judit Sánchez Velasco, Florine Zegers.

Read more about the postmaster course Collective Practices.

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